The Importance of Axel Ebring

One cannot tell the story of pottery in British Columbia without starting with Axel Ebring. Much of what is known about Ebring can be found online with a quick search, so here is a brief synopsis…

Karl Axel Emil Ebring was born in Uppsala Sweden, about 200 miles south of Stockholm in 1874. He emigrated to the United States in the early 1890s and wandered throughout the midwest and western Canada working various jobs; mining, logging, prospecting, etc until he first homesteaded in Terrace BC. By all accounts his stay here was brief and he subsequently moved to Notch Hill BC, a small community just south of Sorrento. It was here that he began to throw pottery, a craft he had learned from his father and grandfather.

Early Axel Ebring platter from his time in Notch Hill BC. This piece showcases a decorative pattern where he applied glaze by sponge to get this effect.

Using clay from a local bank, a home-made kick wheel and a brick wood fired kiln he quickly established a profitable livelihood, selling his craft to locals. When his clay supply was exhausted he moved to Vernon in 1939 where he reestablished a studio and potted for the remainder of his life.
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Ebring’s work exemplifies the character of his European roots. The variety and sizes of his forms and glazes all typify his work. Spotting an Ebring is easy once you’ve seen a collection of them. Forms range from the primarily functional to the occasional sculptural. Glazes range is colour from the usual blue/greens to the rare yellow. Occasionally he decorated his dinnerware with designs applied with a sponge as shown in the photos.

Bowl, Notch Hill BC

Flower frog, Vernon BC

Condiment bowl, Vernon BC

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His pottery is nearly always signed with some combination of the following; Notch Hill BC, Vernon BC, Vern. BC, V~n BC, or Ebring. Occasionally he included a production year. To date, nothing has been found bearing a Terrace BC mark, prompting the question of whether he potted during his time there or not.​

The earliest known examples of Ebring's work bear this signature across the back.

This signature typifies what is found on his pottery thrown in Vernon.

The importance of Axel Ebring to the story of pottery in British Columbia cannot be overstated. It was late in his life when David Lambert began to frequent Ebring’s pottery, bringing his influence to the other early potters of British Columbia, and it would be a few years after his death in 1954 that the Schwenks would establish the next pottery in the Okanagan valley.

If you have any pieces of pottery by Axel Ebring you would like to sell, please contact me here.