Studio Pottery Canada
  • Posts
  • Info
  • Wayne Ngan
  • Acquire/Identify
  • Contact
  • Posts
  • Info
  • Wayne Ngan
  • Acquire/Identify
  • Contact

Louise & Adolph Schwenk - early Okanagan potters

12/30/2019

 
In the summer of 1954, an Argentinian ceramicist named Reg Dixon, who was teaching pottery classes at the Vancouver School of Art, passed through Penticton. That summer he was driving around southern British Columbia in his station wagon, with an electric wheel in the back, stopping in communities and offering classes in pottery. Interested in taking the lessons "for pleasure," Louise Schwenk was to get her start in ceramics. Showing immediate skill and promise as a potter she was encouraged by Dixon to pursue the craft and take further classes.

The impetus to study seriously came that same year. An Arctic front moved into the Okanagan Valley in November, killing a third of the orchards on the acreage run by her and her husband Adolph.  Looking for a new way to support themselves in light of this economic blow, Louise enrolled in classes at the VSA in winter months of 1956, studying with Dixon as well as David Lambert, with the aim of pursuing and furthering a pottery career.
I buy schwenk pottery pieces vase jug plate bowls
contact me to sell your schwenk pottery
louise and adolph schwenk lidded jar
Louise won two bursaries to attend UBC that summer where she developed her craft under the tutelage of BC luminaries such as Rex Mason, Hilda Ross, Olea Davis and Zoltan Kiss. It was there that she also studied sculpture with the famed Cubist, Alexander Archipenko, and pottery with Charles Lakofsky from Bowling Green State University in Ohio. For his part, Adolph began to study decorating, glazing and firing from John Reeve and Glen Lewis.
sculpture pottery by Louise schwenk Penticton
I buy schwenk pottery Penticton
As their reputation and clientele grew, an expansion to their basement studio was necessary - which Adolph accomplished by hand with a shovel and a bucket. The Schwenks considered themselves "artist potters" and as such they created an abundance of forms - primarily functional tableware but also whimsical and sculptural creations. They also developed some recognizable "signature" glazes - such as turquoise, black lustre, and a dark brown glaze made from the ash of applewood.​​
louise schwenk pottery Penticton Naramata
Louise Schwenk at work in their basement studio. Circa 1960.
As word of their work spread, the Schwenks quickly received accolades from across Canada. They were included in a number of national exhibitions and received a full feature article in Western Living magazine in April 1961. Their crowning achievement, however, was the award of a Senior Craftman's Fellowship from the Canadian Council in 1966 which would allow them to study abroad in Europe for a year.
louise adolph schwenk pottery Penticton Naramata
Adolph and Louise Schwenk relaxing on their back patio on the Naramata bench. April 1961.
Sadly it was on this trip abroad when Louise suddenly passed away in England. Adolph would follow her only two years later effectively ending the Schwenk pottery. Over the span of a decade they established themselves as important potters locally and nationally, succeeding Axel Ebring as the early and important Okanagan potters.
schwenk pottery bought here
contact me to sell your schwenk pottery
The Schwenk's pottery received accolades across Canada, including the following...
  • award at the Biennial BC Potter's Guild show at the Vancouver Art Gallery
  • selection to the All Canada Pottery Shows in Toronto and Montreal
  • two consecutive awards at the Canadian National Exhibition
  • selection of their work at Government House in Victoria
  • selection for the National Gallery Centennial Touring show
  • exhibition at the Canadian Arts and Crafts Guild in Montreal
  • Senior Craftsman's Fellowship from the Canadian Council in 1966
  • Schwenk pottery gifted by the City of Pentictyon to Princess Anne in 1971

A display of their work can be viewed at the Penticton Museum.

If you have one or more pieces of Schwenk pottery you will to sell please contact me here.

Identifying and dating Schwenk pottery...

Picture
Picture
Picture
Picture
Picture
Identifying Schwenk pottery is pretty straightforward. The photos above show variations and progression.
Far left: This is the earliest form of signature and was painted on the bottom. This mark was not used for long and dates to the mid-1950s.
Second left: This incised mark is the most common form found. This was used from approximately 1958 - 1966. Note, the bottom initials are glaze codes which have been lost.
Centre: The best pieces tend to be signed "Schwenk Penticton." This also dates a piece  from approximately 1958 - 1966.
Second right: Pieces signed with the "A" beneath were made solely by Adolph and were made after Louise's passing in 1966 until his own death in 1968.
Far right: Pieces signed Schwenk Studios as shown were made at the original studio until the early 1970s after the death of both Adolph and Louise. They were made by apprentices and not what one would consider a true piece of Schwenk pottery.
Picture
Picture

Comments are closed.

    Studio Pottery Canada

    Pottery enthusiast learning about the history of this Canadian art form and curating samples from the best in the field pre-1980.

    Archives

    March 2023
    June 2022
    May 2022
    April 2022
    March 2022
    August 2021
    July 2021
    March 2021
    February 2021
    October 2020
    March 2020
    February 2020
    December 2019
    September 2019
    August 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018

    Categories

    All

    RSS Feed

Studio Pottery Canada

© COPYRIGHT 2018. ALL RIGHTS RESERVED.